With our lovely new artwork courtesy of the fantastic Paul Cousins, our much-loved horror romcom Hellbride has hit Amazon Prime this week. Subscribers can check the movie out for FREE as part of their subscription, and non-subscribers can rent on buy.

We’ve got a lot of love for this film. It was the second movie shot under the Jinx Media banner (back in 2006) and is the sort of film that could only ever be made as an independent.  Fire up your Amazon Prime app and stick ‘Hellbride’ into the search field to check out our unique little supernatural stew of brides and bloodshed. We’ve got a script for a killer sequel which we’d dearly love to put into production next year, but it all depends on how the VOD release goes.

So, please, go watch it. Buy it. Rent it. Share it.

Consider this your wedding invitation.

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Screenwriting with Pat Higgins

After the huge success of the Screenwriting Masterclass in June, we’re pleased to announce further dates for this October.

Screenwriting Masterclass (Saturday 22nd October 2016)

Ever wanted to write a movie or a TV show?

In this special one-day event, acclaimed screenwriter and lecturer Pat Higgins will take you through the tricks and techniques of successful screenwriting.

From creating characters to idea generation, from how to get those first words onto the paper through to constructing an emotionally satisfying ending. This is a one-day crash course unlike any other; jam-packed with inside information and ways to make sure that your screenplay doesn’t fall at the final hurdle.

Be sure to bring a notepad (be that a tablet computer or good old-fashioned paper) and a sense of humour, and prepare to turbo-boost your writing career like never before!

Welcome to the Film Industry (Sunday 23rd October 2016)

If you’re hoping to forge a career as a screenwriter, a director or a producer in the UK’s thriving film industry, this session is for YOU.

From setting up a production company to buying the right equipment, from negotiating deals to blagging your way into film festivals. This is the ultimate inside information as to how the UK (and international) film industry actually works in the digital era.

Join Pat on a breakneck one-day journey through the ins and outs of the film industry, and emerge with a genuine plan for how 2017 will be the year that YOU break into the industry and stay there.

Please note: Both are stand-alone events and you can quite happily attend one and not the other. If you’d like to attend both, two-day tickets at a reduced price are available from the ‘Screenwriting Masterclass’ event page, but are VERY limited.

Previous event feedback:

“Mind still reeling from your amazing workshop. So many ideas, so much info” – @itsMikeElliott on Twitter

“Unrelenting passion… I left Higgins’ masterclass feeling like I’d undergone a minor epiphany” – ShelfAbuse.com

“Brilliant” – MJ Simpson, leading genre critic

 

Tickets can be purchased NOW from the Screenwriting Masterclass page and the Welcome to the Film Industry page.

Look forward to seeing you there!

 

I’m not a believer in the supernatural.

I’m a rational kind of guy. I love writing about ghosts, demons and the possibilities of experiences beyond what we comprehend, but the blunt truth is that I don’t believe in any of it. I’m not a guy to get rattled by dark corridors or abandoned buildings.

With that in mind, I want to tell you a few things about our 2006 shoot for the movie KillerKiller.

We shot in the then long-disused building then known as Warley Hospital. Nowadays, the site is a posh housing development known as The Galleries.

Before it was Warley Hospital, it was known as Brentwood Mental Hospital. Before that, back in 1853 when the building first opened its doors, it was known as Essex County Lunatic Asylum.

Attitudes towards mental illness in 1853 weren’t, of course, quite as enlightened as we’d like to think they are nowadays. “Treatments” included lobotomies and electro-convulsive therapy. Not only that, but ideas of who actually constituted a ‘mentally ill’ person were flexible enough to include an awful lot of people that society would rather just keep out of sight; everyone from unwed mothers to soldiers suffering from PTSD.

So places like Warley ended up having some fairly horrible things happen in them. Over a century and a half, even the recorded incidents make for grim reading. God knows how many worse things went on that nobody will ever know about. If ever there’s going to be a building to store up bad vibes, it’s going to be a place like that.

This wasn’t really something I thought about when I locked down the location, I’m ashamed to say. I was far more concerned about budget; the fee for shooting in the building was pretty huge for a film shooting on such a tiny budget. I was worried about how we were going to afford the location for long enough to get a huge amount of footage in the can. In the end, we did this with a mixture of good planning and dumb luck; we shot with available light rather than lighting set-ups, and the building was so cinematic anyway that the footage ended up looking pretty great now matter how quickly it was shot. We shifted complex ‘kill’ sequences to non-Warley locations where we could take our time a little more and somehow got everything we wanted in the can over a mere three days of filming at the former hospital.

By the end of those three days, however, all those things that I’d never even considered were beginning to get under my skin.

By the end of those three days, quite frankly, I was more than happy to wave Warley goodbye.

Our wonderful photographer Debbie Attwell discovered dozens of torn-off butterfly wings inserted between the bricks in the chapel. We would regularly find scrawled messages or carefully folded pieces of paper with troubling pictures on them tucked away behind radiators or whatever. The phrase ‘I Am Not Alone’ gouged into one of the walls (which can be seen in the first montage of the hospital in the finished film) wasn’t added by an enterprising member of our production crew: it was already there.

And then there was the incident with the footsteps.

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Like I said, not a superstitious guy, so I’ll stick to the facts.

We were about to call action on a scene, when we heard footsteps in the next corridor over. These were loud enough that all of the crew heard them, and loud enough for our sound recordist to shake his head as a ‘no go’. They got louder until they stopped abruptly on the other side of the door from the room in which we were filming. Irritated, I probably called out something like “You might as well come through now” and we waited.

My lovely DoP Al Ronald went to investigate when nobody came through. As I’m sure you can guess, there was nobody there.

It sounds so Scooby Doo and hokey. It sounds ridiculous. But that’s what happened.

KillerKiller – A Look Back Behind the Scenes from jinxmedia on Vimeo.

I also became increasingly convinced that I could hear whispering voices in the corridors of the building. This was probably an auditory trick caused by the wind whistling through the cracks, but, goddammit, once I thought I heard panting about a foot away from my ear. Enough to make me spin around like I’d been stung.

I’m not even sure what these are examples of. Weird acoustics in an old building? An over-active imagination triggered by the fact that we were shooting a gory horror movie in a location that had seen an awful lot of unhappiness?

Soon after the film came out, a few enthusiastic souls started suggesting that they could see ‘orbs’ in the final film (specifically in the scene starting 31:43 on the special edition, for those interested), which made me chuckle a little because I’m pretty goddamn sure that those floating orbs are dust kicked up by the chair that gets thrown against the wall in that scene. On the other hand, since I’m the dude swearing blind that I heard footsteps with no source that vanished into nowhere, who the hell am I to judge what others perceive?

After three days I was unreasonably happy to be leaving the most cinematic location I’ve ever filmed in. I still don’t believe in ghosts. I still believe in science over superstition, logic over legend.

But if I never hear a panting sound a foot away from my ear again for as long as I live, that’ll be just fine.

– Pat Higgins

 

KillerKiller: The Special Edition is available NOW to rent and purchase on VOD. Click through the trailer below.

KillerKiller – The Special Edition (2014) from jinxmedia on Vimeo.

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Jinx Media tends to run in cycles when it comes to production. Between February 2004 and August 2007, we shot a total of four feature films, our busiest run so far.

Our plans over the next three years are more ambitious than even that prolific run from the middle of last decade. We’ve got some really exciting movies lined up to go in front of the camera, starting with an eagerly-awaited sequel shooting at the end of the year that we’ll be announcing soon.

We pride ourselves that our films are fun to work on. They can be hard work (and messy work too, as anyone who’s tried washing fake blood out of their hair night after night can probably attest), but we like to work as a team.

Strong working relationships with our cast members are very important to us, and viewers tend to see the same faces cropping up in our movies over and over again. Nonetheless, if all goes according to plan over the next twelve months, we’re going to need to add to that cast base fairly substantially.

So, fearless potential cast members, once more the call goes up. If you have a passion for horror and a terrifying amount of talent, we’d be delighted to consider your showreel or CV with regards to our upcoming production slate. We can’t reply to each submission, unfortunately (once we received 300+ CVs in an afternoon), but given the number of films we’re hoping to put into production in quick succession it’d be great to build up our database of go-to cast.

These are micro-budget movies (albeit ones that sometimes win awards and get pretty cool distribution) and they usually shoot in Essex, England (although sometimes we hop about a bit). We’ll be posting occasional details of specific roles and projects over on our Facebook page at http://facebook.com/jinxmedia so be sure to go and ‘like’ that.

So, you want to get bloody with us? Headshots, showreel links, CVs – send ’em over to intothepit@jinx.co.uk

Fingers crossed, it’s going to be a hell of a couple of years.

A short interview with Pat from the 2014 Horror-on-Sea festival has found its way online this week. Check it out below!

Here at Jinx Media, we’d like to thank everyone who attended our masterclass at the weekend. The event was a massive success, and we’ll be announcing additional dates shortly.

We’d also like to formally announce Pat’s new script consultancy service. Over the last decade, Pat has been offering feedback and notes on scripts in both professional and academic settings, and he’s now offering this service to the public.

Screenwriting with Pat Higgins

If you’ve written a screenplay, Pat would be delighted to read through it and give a 30 minute session of feedback via Skype. As both a qualified academic lecturer and a seasoned industry professional, (who has both produced his own scripts and sold others to third parties), Pat will give honest feedback and suggestions regarding structure, character, tone and more.

Just click the link right here and book yourself an online Skype consultancy regarding your script!

 

Our audio-only epilogue to Hellbride has been unavailable online for a couple of years now. It features Cy Henty reprising his role as Sinclair, along with chills, spills and a really long and uncomfortably dark masturbation joke.

And it’s BACK, so check it out below! It works a lot better if you’ve seen Hellbride. So, if you haven’t seen it – go and rent or buy it, then pop back to check out the epilogue!

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