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It’s here! The full-length video of this year’s appearance at Horror-on-Sea!

Join Pat Higgins (described by SFX magazine as ‘The Tarantino of budget gore flicks for style and dialogue’ and by Empire magazine as the ‘Essex Auteur’) on another romp through the highs and lows of low-budget horror filmmaking. Assisted by the awesome Paul Cousins, he lifts the lid on the horror industry.

Pat has built a career on making zero-budget but fiercely original horror movies such as ‘The Devil’s Music’ and ‘KillerKiller’. He’s also the original writer/creator of ‘Strippers vs Werewolves’ (although he takes no responsibility for the resulting film) and co-creator of the successful ‘Death Tales’ series of films (the latest of which, ‘Nazi Zombie Death Tales’, was released in the States as ‘Angry Nazi Zombies’). His career has taken him and his movies all over the world, from his home town of Southend in the UK all the way to Hollywood and the Cannes Film Festival.

In this feature-length live show, Pat discusses everything that can go wrong an a low-budget horror shoot. Complete with video contributions from cult horror filmmakers like Keith Wright (‘Harold’s Going Stiff’), Dani Thompson (‘Serial Kaller’, ‘Axe to Grind’), MJ Dixon (‘Slasher House’, ‘Legacy of Thorn’), James Eaves (‘Bane’, ‘The Witches Hammer’), Al Ronald (‘Jesus vs the Messiah’), Jonathan Glendening (’13 Hrs’) and Jason Impey (‘Home Made’, ‘Snuff Film’), who all share their worst experiences from the trenches of horror filmmaking.

Packed with with never-before-seen behind the scenes clips and a healthy sense of humour, the show is a must-see for horror fans, aspiring filmmakers and anyone who has ever just grabbed a camera and tried it for themselves.

NOTE: The show contains strong language, and clips featuring bloody violence

Another chunk from the 2014 live show “Fake Blood, Real Guts” from Horror-on-Sea. This is a four minute breakdown of how and why I made the choices that I did, starting with our low-fi cult flick TrashHouse and ending up fading out discreetly at around the point I wrote Strippers vs Werewolves. I’m speaking on behalf of nobody but myself, I’m not representing the views of Jinx Media, etc. etc.

I got thinking about horror aimed at kids over the last week or so, partly due to a discussion I was having of Facebook regarding the original rating of Poltergeist. It prompted me to write this article for Huffington Post, which recycles a paragraph from a blog post I wrote for this site a couple of years back but is otherwise new stuff.

The first draft of the blog post also had a bit about Joe Dante’s The Hole, which is another fascinating kid-orientated horror; very much a descendent of The Gate which, shit, I really would have written about too if I’d thought of it.

Basically, the piece would have ended up book length given half a chance. Go check it out.

Our awesome short from last year never had a trailer.

Until now.

Since the new live show debuted at the weekend, we thought we’d share a clip from last year’s (now retired) show with you.

This clip is from ‘Fake Blood, Real Guts’ and talks a bit about selective perception and positive thinking. It also has me owning up to the fact that TrashHouse wasn’t 100% my first film…

Had a great weekend at Horror-on-Sea, a festival that we’ve supported since day one. It’s fantastic to see it going from strength to strength. Every year, there are fewer and fewer empty chairs (both in the large room where we tend to do the live shows and in the main auditorium), and the atmosphere is upbeat, buzzy and engaged.

Didn’t catch as many of the films as I’d intended to (partly due to an outbreak of chicken pox in the family suddenly throwing childcare plans into disarray), but at least this year I managed to get to my own show on time…

I really love doing shows like this. We’ve filmed this one, and hope to get it online before too long. This one features pre-recorded video contributions from an assortment of other independent horror filmmakers (and we were lucky enough to have at least couple in the audience, too, in the form of MJ Dixon and Dani Thompson)

The new show goes through an A to Z of different nightmares that might be faced by indie horror filmmakers, covering everything from dodgy small print in contracts through to appalling weather. It lasts about an hour and a half, and if you’re interested in booking the talk for a film festival, university event or children’s party (ok, probably not the children’s party) then feel free to get in touch via Jinx Media’s Facebook or my own Twitter account.

Some photos of myself and Paul Cousins in action below (courtesy of the awesome deVere Photography – check out their site and be sure to look through the portfolio for more Horror-on-Sea goodness.

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