Posts Tagged ‘VOD’

Today, March 9th 2017, we’re having a 24 hour FLASH SALE on our amazing horror documentary The Devil’s Music!

The Devil's Music

For those who need no further persuading, head straight over to the VOD page and use the code devilsmarch to get 50% off your rental or purchase. You’ll be happy, I’m sure.

For those who need any more persuading, here are some reasons why you should grab the flash deal. And why you should tell everyone else about it. AND why you should go and phone someone you love who you haven’t spoken to in a while. But we’ll get to that later.

The Devil’s Music is a (whisper it) fake horror documentary about an extreme rock and roll singer called Erika Spawn. She horrifies the tabloids with her blood-drenched stage shows and lyrics, getting loads of tabloid coverage and shifting loads of CDs. Her touring band include awesomely sarcastic bassist Adele, stoned drummer ZC and a mysterious extra guitarist in a gas mask. All goes well, until Erika’s music starts getting blamed for real-life atrocities, and then her world and mental state both start to collapse. She becomes obsessed with a squeaky-clean boy band singer called Robin Harris, believing that he’s got a darker secret than anything in Erika’s gory stage shows. And she might just be right.

When we shot The Devil’s Music back in 2007, we were trying to do some fairly big things on almost no money. We relied on the efforts of our wonderful cast and crew to pull off something cool, and I’m incredibly grateful to all of them and always will be. The movie got the best reviews we’ve ever gotten.

The mighty AintItCoolNews saying “The buildup of tension and horror that takes place in here is outstanding and Higgins makes the entire thing feel like the real thing. Highly recommended”

In his fantastic book Urban Terrors: New British Horror Cinema 1997-2008, MJ Simpson called the film “Magnificent”

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Want more? OK, then.

Horror Cult Films called the movie “One of the best indie pictures I’ve seen in ages, The Devil’s Music is a unique and disturbing experience that will haunt you for weeks.”

HorrorTalk  (which, for my money, is still one of the best horror destinations on the whole damn internet) described The Devil’s Music as “A master class in engrossing story telling.. keeps the viewer not just engaged, but completely riveted”

And we won the Best Independent Feature award at the Festival of Fantastic Films, going up against movies with many, many times our budget.

I should probably mention the flash sale again at this point, shouldn’t I? 50% off! With the code devilsmarch but ONLY TODAY!!!!

But here’s the real reason that I recommend you go and buy the movie today. We worked our asses off on a bunch of incredibly cool special features for the movie, including the most bizarre director’s commentary I’ve ever been involved with. We put all this stuff together for a DVD release on the movie that we built up for (in fact, it’s STILL listed on Amazon as a pre-order) but never happened due to circumstances beyond our control.

All of these special features (including the commentary, deleted scenes, astonishingly embarrassing easter egg and more) can ONLY be obtained with the version of the movie that I keep linking to. So if you’re interested AT ALL in our odd little slice of cult horror history, this is the only place you’ll get to see the complete story.

Better do the damn link again, hadn’t I? Flash Sale Today Only!! Use the code devilsmarch

So. That’s our movie. It’s dark and smart and odd. A little rough around the ages, but I’m still fiercely proud of it a decade later. It is NOT your run-of-the-mill horror movie. It’s something different. If you don’t like different, stay away.

If you liked the movie, or if you support indie horror in general, please forward this page to everyone you can. We’d love to keep making movies like The Devil’s Music. Movies that are weird and quirky and take risks. Because they’re the kinds of movies we enjoy watching, and we hope you do to.

Oh, and what was that bit at the beginning about phoning someone you love but haven’t spoken to in a while? Well, that’s a great idea too. Sometimes it takes a stranger to tell you to do it. Let us be that stranger. Go phone someone. Restore connection. Rekindle friendships.

And you don’t even have to plug The Devil’s Music while you do it.

 

 

 

Hi folks, Pat here.

You may have seen my entry a couple of weeks back about how the release of The Devil’s Music fell through. We’ve been doing a lot of thinking about the movie and the situation, and I want to share my plan with you.

Quick recap: The Devil’s Music is our rock and roll horror mockumentary which an awful lot of people think is very cool. It’s described as ‘magnificent’ in MJ Simpson’s Urban Terrors book, ‘swiftly paced and visually inventive’ in Stuart Willis’ The New Flesh and is even positively namechecked a couple of times in Kim Newman’s magnificent Nightmare Movies. AintItCoolNews called it ‘highly recommended’ and namechecked the director’s cut in their countdown of best horror movies of the year. It won Best Independent Feature at the Festival of Fantastic Films. And more. And more.

the-devils-music

We had a short UK release of the original cut when it was streamed by IndieMoviesOnline, a really ahead-of-its-time streaming site which has now unfortunately gone under. IMO treated the film really well, taking out full page ads in the press and (gasp) actually paying us some money. The US release was handled by a company called Lono, who were lovely and wonderful and ceased trading almost as soon as the film came out, effectively deleting it before it had properly hit the shops. All of this meant that by the end of 2010, our film was effectively ‘lost’, (in that, there was no legitimate way for the public to buy the movie very easily) and all the rights came back to us because both IMO and Lono were lovely, honourable companies.

We started setting up a special edition UK DVD release in 2012, working with the wonderful Cine du Monde, which ended up getting delayed for reasons outside of our control until it ran straight into the ridiculous BBFC situation in 2014 that you probably already know about. That DVD special edition, therefore, also remains in limbo. It sits as a pre-order on Amazon but is unlikely to ever materialise in that form. So if you’ve ordered it, you might as well cancel it.

Since running the last piece about this situation, people have emailed me with a lot of suggestions. We’ve looked at everything people have suggested and examined every possibility.

The following is what we’ve come up with..

We’re going to launch the movie on October 21st 2016 on as many platforms as we can afford, in as many territories as we can. And rather than doing my usual magician’s trick of keeping all this under wraps, I’m going to be honest about it as it comes together. Ask me questions on Twitter, make suggestions via the comments here or wherever. I’m been looking at the usual platforms and making the usual kinds of decisions. I’ve been eyeing up aggregators, particularly Distribber, and would love to hear from other filmmakers’ experiences with them.

We don’t have much money in the bank, but we’ve got a cool movie and a handful of people who’ve really enjoyed it.

Let’s see whether that’s enough.

If you’re interested in helping, there are a bunch of things you can do. If you’re a producer who has worked with distribution platforms anywhere in the world that you’ve had a positive experience, it’d be great to hear about it. If you run a genre-based website, magazine or blog, it’d be brilliant if we could generate as much coverage for the movie as possible for the month of October; if you’d like to review a screener, or run an interview, or feature an exclusive image or whatever we’d love to arrange it. Just contact us via Twitter either on my account or the Jinx Media one.

Anything else? Well, we’ll be firing up the long-dormant Facebook page for the movie too, so if you feel like liking and sharing that page (and the Jinx Media one while you’re at it!), that would be awesome. The more visible support the film has, the more possibilities we have in terms of sorting international platforms.

I’m really sorry you guys have waited so long. I’ll be honest about the way this shakes down, so that people can either cheer at this success story or wince at how NOT to do it in future.

We love you guys. Now let’s finally get this goddam movie out there.