Archive for the ‘The Devil’s Music’ Category

When Amazon Video Direct launched last year, I was hopeful that it might finally provide a workable and user-friendly platform for people who make movies to get those movies into the homes of people who watch movies.

Check this out: I was actively moaning that the industry as it previously existed was broken back in 2008. Back when I wrote that article, Blockbuster was still a high-street fixture (albeit a fading one). I considered the biggest threat to the indies to be Bittorrent, mainly because file-sharing had sunk more than one distribution deal for me and my company, and knew full-well that the days of DVD/Blu-Ray releases bringing in decent coin for the people who made the movies were behind us.

What didn’t exist at that point was a viable alternative.

Nowadays, there are quite a few. We’ve tried more than a couple. We dabbled with Distrify, but never really got any results. We’ve set up a Vimeo page, enabling us to sell versions of our movies with the kinds of special features that we’d previously have produced for the DVD releases. The Vimeo set-up has worked well enough for us to continue with for at least another year, but it lacks the straight-to-your-TV integration needed to reach the casual movie fan.

This is why Amazon Video Direct looked like such a winner when it was first announced, and I’m happy to confirm that all four of our early movies (TrashHouse, Hellbride, KillerKiller and The Devil’s Music) are now, finally, available on the platform.

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It hasn’t always been the easiest route to get them there, and Amazon’s T&Cs do seem to change by the day. Whereas last autumn they were blocking any content that was ‘self-rated’ any higher than 13+ from the Prime streaming service, (meaning that we had to go and get a BBFC rating for The Devil’s Music before putting it on the service) they now seem to allow content providers to self-rate as 18+ but still have their movies included in the Prime package. They do seem to be pulling more extreme content, and we’ll have to see where that particular line gets drawn as the years go by.  And whether it moves around, which is the most frustrating situation of all.

We did experience a blip after Christmas, when two of our titles got pulled from the service due to ‘issues with the artwork’. We were never quite able to work out what those issues were, so it became a bit of a ‘make a change and hope for the best’ situation. We got rid of the partially visible buttocks from The Devil’s Music artwork and deleted some of the smaller text from the Hellbride image and that seemed to do the trick, but it did serve as a reminder that the service does leave you somewhat at the whims of a massive company from whom it’s not always easy to get answers.

That said, the pluses seem to massively outweigh the minuses, and it’s great to have a platform that takes the movies (via Amazon Fire TV, PS4, Xbox and many more platforms) directly to the living rooms of potentially millions of customers. So, go and watch our movies. Support independent filmmaking. Spread the word, and tell us what you think.

And when you’ve watched all ours, go and watch the awesome output of our friends at Mycho Pictures, who have also just got their back catalogue up online.

So much awesome, fiercely independent horror, so little time.

 

Ok, so when last we chatted I was floating my idea for Hellbride II.

It’s clearly not the only potential property that we’ve got sitting in the Jinx Media vault, however. We could revisit the KillerKiller universe, for  example. I’ve got a treatment for that knocking around somewhere, too. We could, if the other guys were willing, potentially resurrect the ever-popular Death Tales franchise with a third installment. We could revisit Lucy Sweet for another retro bloodbath.

And I’ve ever toyed with the idea of combining movies.

So, just for fun (but so we’ve got an idea what our small but enthusiastic audience are looking for, too), let’s have a poll.

This poll will be open for two weeks. Just to make it interesting: whichever movie wins, we’ll release something (previously unseen) connected with that flick. Maybe a behind-the-scenes clip, a couple of photos, a deleted scene. Something like that.

So, which sequel should we spend our time on? What does the world want to see?

Click below and let us know!

Today, March 9th 2017, we’re having a 24 hour FLASH SALE on our amazing horror documentary The Devil’s Music!

The Devil's Music

For those who need no further persuading, head straight over to the VOD page and use the code devilsmarch to get 50% off your rental or purchase. You’ll be happy, I’m sure.

For those who need any more persuading, here are some reasons why you should grab the flash deal. And why you should tell everyone else about it. AND why you should go and phone someone you love who you haven’t spoken to in a while. But we’ll get to that later.

The Devil’s Music is a (whisper it) fake horror documentary about an extreme rock and roll singer called Erika Spawn. She horrifies the tabloids with her blood-drenched stage shows and lyrics, getting loads of tabloid coverage and shifting loads of CDs. Her touring band include awesomely sarcastic bassist Adele, stoned drummer ZC and a mysterious extra guitarist in a gas mask. All goes well, until Erika’s music starts getting blamed for real-life atrocities, and then her world and mental state both start to collapse. She becomes obsessed with a squeaky-clean boy band singer called Robin Harris, believing that he’s got a darker secret than anything in Erika’s gory stage shows. And she might just be right.

When we shot The Devil’s Music back in 2007, we were trying to do some fairly big things on almost no money. We relied on the efforts of our wonderful cast and crew to pull off something cool, and I’m incredibly grateful to all of them and always will be. The movie got the best reviews we’ve ever gotten.

The mighty AintItCoolNews saying “The buildup of tension and horror that takes place in here is outstanding and Higgins makes the entire thing feel like the real thing. Highly recommended”

In his fantastic book Urban Terrors: New British Horror Cinema 1997-2008, MJ Simpson called the film “Magnificent”

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Want more? OK, then.

Horror Cult Films called the movie “One of the best indie pictures I’ve seen in ages, The Devil’s Music is a unique and disturbing experience that will haunt you for weeks.”

HorrorTalk  (which, for my money, is still one of the best horror destinations on the whole damn internet) described The Devil’s Music as “A master class in engrossing story telling.. keeps the viewer not just engaged, but completely riveted”

And we won the Best Independent Feature award at the Festival of Fantastic Films, going up against movies with many, many times our budget.

I should probably mention the flash sale again at this point, shouldn’t I? 50% off! With the code devilsmarch but ONLY TODAY!!!!

But here’s the real reason that I recommend you go and buy the movie today. We worked our asses off on a bunch of incredibly cool special features for the movie, including the most bizarre director’s commentary I’ve ever been involved with. We put all this stuff together for a DVD release on the movie that we built up for (in fact, it’s STILL listed on Amazon as a pre-order) but never happened due to circumstances beyond our control.

All of these special features (including the commentary, deleted scenes, astonishingly embarrassing easter egg and more) can ONLY be obtained with the version of the movie that I keep linking to. So if you’re interested AT ALL in our odd little slice of cult horror history, this is the only place you’ll get to see the complete story.

Better do the damn link again, hadn’t I? Flash Sale Today Only!! Use the code devilsmarch

So. That’s our movie. It’s dark and smart and odd. A little rough around the ages, but I’m still fiercely proud of it a decade later. It is NOT your run-of-the-mill horror movie. It’s something different. If you don’t like different, stay away.

If you liked the movie, or if you support indie horror in general, please forward this page to everyone you can. We’d love to keep making movies like The Devil’s Music. Movies that are weird and quirky and take risks. Because they’re the kinds of movies we enjoy watching, and we hope you do to.

Oh, and what was that bit at the beginning about phoning someone you love but haven’t spoken to in a while? Well, that’s a great idea too. Sometimes it takes a stranger to tell you to do it. Let us be that stranger. Go phone someone. Restore connection. Rekindle friendships.

And you don’t even have to plug The Devil’s Music while you do it.

 

 

 

Well, the year’s nearly done.

It’s been stupidly eventful, stupidly exciting and, at some points, just flat out stupid.

I started the year by hosting a new live show before premiering my new movie (Jinx Media’s first full feature since 2007) and then destroying the master copy (and back-up) live on stage. Which was a busy way to kick things off.

Ever since that eventful January, people have been asking about House on the Witchpit and where it’s going from here. People have also asked over and over again whether I really destroyed the master copy, to which the answer is yes. The film that screened at Horror on Sea no longer exists in that form. The footage still exists, of course, and will resurface in a radically different format in 2017. Tickets will be going onsale soon.

Witchpit hasn’t been the only major development at Jinx in 2016, of course. We launched our new VOD site and managed to get our whole back catalogue of features up on VOD. The death of physical media as a viable means of distribution has continued at terrifying speed, but happily coincided with us getting the rights back to a lot of our older movies (for which we’d signed 10 or 7 year distribution contracts).

Some of these were straightforward, some of them were (cough) a little bit less so. Either way, all four of our original features are now available online in one form or another. Here’s the way it breaks down:

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TRASHHOUSE is now available via Amazon Prime in the original cut. This was our first movie, and it’s nice to get it back out into the world. It’s possibly fair to say that time hasn’t been kind to the visuals, but in terms of delivering a slightly mad midnight movie on a tiny budget, I reckon it holds up pretty well. TrashHouse was originally released on DVD in the UK (once in 2006 and once in 2007), but the US release was somewhat torpedoed after the movie got pirated on a scale that was somewhat ridiculous for such a modest flick. I always thought that TrashHouse might end up being the only film I’d ever get to direct, so I crammed an awful lot of things that I thought were cool into it. Except mole people. I’ve never found a way to fit them in. But they’re cool, aren’t they?

HELLBRIDE is also available on Amazon Prime. At least, it usually is. Amazon pulled it last weekend (along with THE DEVIL’S MUSIC) because of HELLBRIDE POSTER FINAL ssome undefined issue with the artwork. It’ll hopefully be back up by now, but it can also be purchased via Vimeo if you’d prefer (or if the Amazon listing disappears again). Hellbride remains a romantic comedy at heart, but one that just happens to have a fair amount of splatter and supernatural mayhem along the way. It was originally released on DVD in the UK and the US, and we were pleased to have the rights revert to us. Hellbride was actually the second movie that we shot, although it was the third to be released (KillerKiller beat it to release by the best part of a year). It was also the most fun I’ve ever had on a movie set. Still.

Battlefield Death Tales and more...

KILLERKILLER is NOT yet available on Amazon Prime, due a pesky certification issue which we hope we’ll be able to sort out before too long. Nonetheless, it’s available in the lovely, shiny 2014 Director’s Cut via our lovely friends at Vimeo, together with a bonus ‘look back’ video. This movie was our third to go in front of the camera, back during the long crazy summer of 2006. We shot chunks of it in a haunted asylum , which was fun, and it got released all over the world on DVD (EXCEPT in the UK) before coming back home to us. I’ve got a whole shelf full of DVD releases of KillerKiller. My favourite is the Russian dub, where the same dude does all the voices (including the women).

The Devil's Music

Like Hellbride, THE DEVIL’S MUSIC should be available from Amazon Prime (free to subscribers) but has experienced the same issues as Hellbride regarding the listing disappearing due to unknown issues with the artwork. Fingers crossed, you should be able to watch it right here, but if not then boogie on over to the Vimeo version  which includes hours of bonus features, including the somewhat notorious ‘Director’s Breakdown’ commentary. Nine years on from filming it, I’m still pretty damn proud of The Devil’s Music. It’s a horror rock documentary, and there aren’t many of them around. This version, like KillerKiller, is a 2014 Director’s Cut. It’s been tightened up a little and has a few never-before-seen moments when compared to the original release. God, we had a nightmare getting TDM out to the public after the rights returned to us from the initial US DVD release. Everything from VATmoss to BBFC certification initially seemed to stand in our way, and various costs torpedoed the planned DVD release by the wonderful Cine du Monde (who are currently dark, but will hopefully return stronger than ever!)

So, that’s the back catalogue. Saved from the confines of shiny disks, and ready to watch whenever you choose. Why not go check one of them out? We worked hard on them.

In terms of live projects, the year has had its share of frustrations. Killer Apps (aka Evil Apps) ping-ponged between on again and off again, but remains very much a possibility for next year. A third Death Tales got a little bit closer to being a thing. Two things happened that were stupidly exciting but I can’t talk about yet. It was all enough to keep us very busy indeed.

In the bigger world, outside of the confines of independent horror, a lot of things happened this year that absolutely sucked. Even before we lost Leonard Cohen, 2016 had more than its fair share of awful stuff. Looking for diamonds in amongst the crap hasn’t always been easy.

We need to keep looking, though.

I hope 2017 has an enormous amount of wonderful surprises for all of us.

My name is Pat Higgins, and my conscience is clear.

 

 

A short interview with Pat from the 2014 Horror-on-Sea festival has found its way online this week. Check it out below!

Our cult movie The Devil’s Music features shock rocker Erika Spawn as the mysterious core of the movie. In the process of making the flick, we recorded a number of tracks from Erika Spawn’s past, from her biggest hit ‘Body of a Whore’ through to the power ballad ‘Dying Bride’. If you’ve seen the film, you’ll know some of these tracks.

For most of the past eight years, we’ve tried to keep the lines suitably blurred as to what elements of the film are real, and which very much aren’t. I don’t think it’s too much of a spoiler at this point to state that the songs featured in the movie were written and produced by the mighty Phil Sheldon from lyrics and extremely basic demos by Pat. Vocals were from the wonderful Vic Hopkins.

Check out Erika Spawn’s ‘Body of a Whore’ EP in full below, and be sure to mark your calendar for the worldwide VOD release of The Devil’s Music on October 21st 2016.

 

Hi folks, Pat here.

You may have seen my entry a couple of weeks back about how the release of The Devil’s Music fell through. We’ve been doing a lot of thinking about the movie and the situation, and I want to share my plan with you.

Quick recap: The Devil’s Music is our rock and roll horror mockumentary which an awful lot of people think is very cool. It’s described as ‘magnificent’ in MJ Simpson’s Urban Terrors book, ‘swiftly paced and visually inventive’ in Stuart Willis’ The New Flesh and is even positively namechecked a couple of times in Kim Newman’s magnificent Nightmare Movies. AintItCoolNews called it ‘highly recommended’ and namechecked the director’s cut in their countdown of best horror movies of the year. It won Best Independent Feature at the Festival of Fantastic Films. And more. And more.

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We had a short UK release of the original cut when it was streamed by IndieMoviesOnline, a really ahead-of-its-time streaming site which has now unfortunately gone under. IMO treated the film really well, taking out full page ads in the press and (gasp) actually paying us some money. The US release was handled by a company called Lono, who were lovely and wonderful and ceased trading almost as soon as the film came out, effectively deleting it before it had properly hit the shops. All of this meant that by the end of 2010, our film was effectively ‘lost’, (in that, there was no legitimate way for the public to buy the movie very easily) and all the rights came back to us because both IMO and Lono were lovely, honourable companies.

We started setting up a special edition UK DVD release in 2012, working with the wonderful Cine du Monde, which ended up getting delayed for reasons outside of our control until it ran straight into the ridiculous BBFC situation in 2014 that you probably already know about. That DVD special edition, therefore, also remains in limbo. It sits as a pre-order on Amazon but is unlikely to ever materialise in that form. So if you’ve ordered it, you might as well cancel it.

Since running the last piece about this situation, people have emailed me with a lot of suggestions. We’ve looked at everything people have suggested and examined every possibility.

The following is what we’ve come up with..

We’re going to launch the movie on October 21st 2016 on as many platforms as we can afford, in as many territories as we can. And rather than doing my usual magician’s trick of keeping all this under wraps, I’m going to be honest about it as it comes together. Ask me questions on Twitter, make suggestions via the comments here or wherever. I’m been looking at the usual platforms and making the usual kinds of decisions. I’ve been eyeing up aggregators, particularly Distribber, and would love to hear from other filmmakers’ experiences with them.

We don’t have much money in the bank, but we’ve got a cool movie and a handful of people who’ve really enjoyed it.

Let’s see whether that’s enough.

If you’re interested in helping, there are a bunch of things you can do. If you’re a producer who has worked with distribution platforms anywhere in the world that you’ve had a positive experience, it’d be great to hear about it. If you run a genre-based website, magazine or blog, it’d be brilliant if we could generate as much coverage for the movie as possible for the month of October; if you’d like to review a screener, or run an interview, or feature an exclusive image or whatever we’d love to arrange it. Just contact us via Twitter either on my account or the Jinx Media one.

Anything else? Well, we’ll be firing up the long-dormant Facebook page for the movie too, so if you feel like liking and sharing that page (and the Jinx Media one while you’re at it!), that would be awesome. The more visible support the film has, the more possibilities we have in terms of sorting international platforms.

I’m really sorry you guys have waited so long. I’ll be honest about the way this shakes down, so that people can either cheer at this success story or wince at how NOT to do it in future.

We love you guys. Now let’s finally get this goddam movie out there.